- audio book – source my local library
- Narrated by: Simon Harvey
- Length: 7 hrs and 54 mins
- Unabridged Audiobook
- Release date: 09-01-16
Originally published: 28 May 2014
- Language: English
- Publisher: Wavesound Audio
- Read it on Google Books
Charlie Jardim has just trashed his legal career in a spectacular courtroom meltdown, and his girlfriend has finally left him. So when a colleague slings him a prosecution brief for the remote coastal town of Dauphin, Charlie reluctantly agrees to go.
The case is murder. The victim was involved in illegal abalone trading and even more illegal drug trafficking. And the witnesses aren’t talking. As Dauphin closes ranks around him, Charlie finds his interest in the law powerfully reignited.
HIS HONOUR: Mr Jardim, withdraw that comment immediately.
MR JARDIM: Your Honour, I’m not withdrawing it because it’s got nothing to do with the merits of this case, just as your small-minded treatment of my client has got nothing to do with the merits of the case. I mean, could you have cocked this thing up any worse? Bloody helpless kid and you know she’s back out on the street now. You’re known throughout the state as a heartless old prick and a drunk, and seeing I’ve gone this far, your daughter-in-law’s appointment to the court is widely viewed as a grubby political payoff. Today’s pretty much the lowest I’ve seen you stoop but it’s been a rich field of excrem—
HIS HONOUR: Senior, will you have Mr Jardim removed?
QUOTA takes an unusual case, the murder of an abalone fisherman who is also dabbling in drug distribution.
Charlie Jardim is trying to put together a case to prosecute the victim’s murderers. The account given of events by the victim’s brother just does not hang together so Jardim travels to a small seaside Victorian town to see if he can get people to talk.
On the way to Dauphin he hits a kangaroo and wrecks his car. He is easily identified as a city man, and outsider, and before long every knows the Prosecutor is in town. Only the pub owner will talk to him.
Eventually he befriends the victim’s brother and gets a different version of what occurred, and more importantly, gets him to agree to replace the original statement that the police have on record. But this is just the start of the plot.
There is a strong Australian flavour to this recording reinforced both by the language particularly the dialogue, but also by the narrator’s voice. There are superb descriptions of the Victorian countryside, of the heat, of the declining nature of the town, of the way things are ruled by one family, and the way others have to take drastic measures to survive.
My rating: 4.6
QUOTA is Serong’s first novel and didn’t get the same attention and recognition that his later novels have. I think taht is possibly because his voice is so different to other Australian crime fiction writers.
He was a practising lawyer when he published QUOTA