- this edition published by Vivid Publishing 2018
- ISBN 978-1-925846-43-0
- 188 pages
- source: review copy supplied by the author
- Author website
- Available for kindle
Power. Envy. Greed. Lies. All surround amateur sleuths Belinda Lawrence and Hazel Whitby in this maze of personalities.
An invitation to a private screening at a film group involves them in more than the cinematic arts.
Murder and the search for a long-lost film, involve them in more hair-raising adventures as they begin to investigate each member of the group, all of whom could be potential murderers.
Belinda’s skills are tested as she faces the greatest danger in her sleuthing life.
In the previous 5 novels of the series Australian Belinda Lawrence has been overseas, mainly in England. In title #6 author Brian Kavanagh has brought Belinda and her friend Hazel Whitby home to Melbourne.
Belinda visits the ACMI ( Australian Centre for the Moving Image) at Federation Square in Melbourne. She is standing in a display area waiting for Hazel who is out shopping when she is recognised by a former school friend. Bridie invites Belinda and Hazel to join her at a private screening of a pre-digital film being held by a small film society at the suburban home of a retired projectionist. Bridie is teaching film studies at the school that she and Belinda attended, and the film screenings are held weekly. Against Hazel’s better judgement Belinda accepts the invitation.
Just as the screening of the film gets underway the group is interrupted by a member who bursts in to announce that the host, “Old Max” has been murdered.
Together with all the others present that night Belinda and Hazel become murder suspects, and they decide to conduct their own investigation of each of the members of the society, to find out why “old Max” was murdered, rather appropriately with a film splicing tool, and who the murderer is.
There is an almost cinematographic quality to the structure of this novel – each of the characters is introduced at the beginning with a sort of spotlight approach, almost as if they are on stage, and the spotlight moves from one to the other, capturing them in a moment of time.
Underlying the plot is a pioneering film/multimedia work produced by the Australian Salvation Army Soldiers of the Cross, and first screened in Melbourne in 1900. The National Film and Sound Archive has elements of the work in their archives but no full film is known to exist.
My rating: 4.2
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About the author
Brian Kavanagh lives in Melbourne, the capital of the State of Victoria, in Australia. Brian is an an accredited life member of the Australian Film Editors Guild & a member of the Australian Society of Authors. He has many years experience in the Australian Film Industry in areas of production, direction, editing and writing.
His editing credits include THE CHANT OF JIMMIE BLACKSMITH, ODD ANGRY SHOT, THE DEVIL’S PLAYGROUND, LONG WEEKEND, SEX IS A FOUR-LETTER WORD and the recent comedy, DAGS.
He received a Lifetime Achievement Award from the Australian Screen Editors Guild and is an accredited member. An Australian Film Institute award for Best Editing for FROG DREAMING (USA title THE QUEST).
His first feature film which he produced and directed, A CITY’S CHILD, won an AFI award for actress Monica Maughan and was screened at the London Film Festival as well as Edinburgh, Montreal, Chicago and Adelaide, where it won the Gold Southern Cross Advertiser Award for Best Australian Film.